Cunningham Full Movie For Free writers Alla Kovgan youtube
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countries France; genre Music; duration 1 h 33 M; Directed by Alla Kovgan; 2019. Utter perfection. The flow of the reel and the music. loved watching RC play. How is Randall not in Canton and Terrel Owens is? SMH. 🤗🤗🤗❤️😘🙋🏼. That woman is so lucky to have had the chance to talk with both of these men.
When you've been in a psych ward so you can't get drafted
Honey So you like boys, so you like you couldn't see he likes alarm is sounding all day. I just watchesd a random guy smile for 1 minute and 20 seconds. love it. 3:29 wait and listen and tell me if im the only one that hears someone whisper “help” im scared fr. Kid at my school did this, got in school suspension. 
Him: go do your homework or something Me: No Im watching your video instead 😂🤣😂😅 lol.
A remarkable achievement by filmmaker Alla Kovgan, spending seven years to make this classic tribute to the late dancer/choreographer Merce Cunningham.
Working with both archive footage and valuable sound recordings, she conjures up the avant-garde artist through recordings of his work, his philosophy of his art and comments by many close collaborators including notably John Cage and Robert Rauschenberg. Not meant as a biopic, film concentrates on spectacularlhy cinematic (in 3-D) new performances of many of his dances, executed by members of his company, which disbanded in 2011, after Merce's death in 2009.
At a q&a following the screening, Kovgan indicated that Wim Wenders' innovative 2011 3-D dance film about German choreographer Pina Bausch inspired her to take on this formidable project, finally starting shooting in Stuttgart in 2015 with principal photography taking place in 2018.
Her use of 3-D technique is outstanding, resulting in gripping visual images, enhanced by the accompaniment of the original dance scores by John Cage and others. For a novice like me, not overly familiar with Merce's achievements, the movie brings his dance to life and points to how 3-D technology can be used artfully rather than as a gimmick, or its current excuse to permit higher price points for movie admissions to films, both animated and action-oriented, that should play just as well if not better in 2-D on large screens.
I love this song! ♥️♥️.
Instantly became my favourite song as soon as I heard it.
“sleep is for the weak”. Me: clicks on the video* The video: 1 view Me: darn it 😔. One of da best songs Eva. Rest bless the name of the Lord.
Je suis submergée d'émotion par ce nouveau talent. J'adore est je vais partager, of course
Im sending this to my ex best friend who saved me from a toxic relationship just to ruin my life x2. Very nice song! Can you give us the chords/tab.
'Always keep an average supply of snacks' Shows food that would last till world war 5 YES, 5
I enjoyed listening to this it truly blessed my heart continue to sing to the glory of God. Love this song it is a beatiful song and so up lifting. May God keep on giving you the inspiration to keep on writing beautiful songs like this. Love you. Beautiful.
- Great to see a film about dancing! A relatively unexplored sub-genre of documentary, and Cunningham was welcome for this alone. It adds to a hole that I suppose Wenders' Pina opened.
- On that note, this film should not have been shot in 3d, which added nothing but nausia. We expect the 3d was entirely for the purpose of (a) copying Pina and, relatedly, b) getting funding. But Cunningham's dances are far less spectacular and their presentation here likewise. The 3d only distracts from the movement in all but one Warhol-involved set, especially when edited with 2d archival.
- First half entertaining, second boring. The film progresses at a monotonous pace: one thing happens and then another and then another. No real conflict or tension.
Which is a problem. Because there evidently was plenty of this, but only in reality. The movie, on the other hand, brushes past unconvincingly. No one in the film is given space apart from Cunningham - everyone else speaks to convince the audience how great he is. I wanted to hear from one of his female dancers honestly, in long form, of the darkness of Cunningham. This would help to flesh out his character, give us something to chew on, and organise the film into a narrative. As is, we grew progressively distrusting and disengaged with the Greatest Hits/ Victory Lap tone, before the film ends suddenly with the news that all his dancers left.
- Ultimately we were left unconvinced that Cunningham (the dancer) was all that interesting. Fashionable certainly, he's attached to the right people, and I'm sure it would be great to be dancing as him, but the just-over-half-full prime-time-at-the-festival cinema was an endless circuit of yawns.
- Nevertheless we feel cultured now.
As I was making this video, I couldnt help but wonder “What would Cunningham have looked like in a modern spread offense?” While the Eagles did utilize the shotgun formation more-often than many of their contemporaries, they werent sending guys in motion, or using option concepts. I feel like Randall Cunningham wouldve broken records if hed played in a more wide-open offense. He did have some decent weapons in Cris Carter, Keith Jackson, Keith Byars, etc. His line wasnt anything to write home about though. As always, I hope you all enjoyed this video! Let me know who youd like to see next.
Jordan: “Don't try this at home” Me: Okay I'll try. THE FIRST SONG MY KING MICHAEL SEND ME. I dont know if you like, download roblox, but everyone's playing it so, everyone. He's actually a mood We love Stan for a colourful gay queen. 
Sweet,sweet,sweet. Ok but umm best original Christmas song of 2019. Wow! This is SO GOOD. To sweet for, i am out IN. This is how many hours he gets of sleep.
1:43 I like how he just has a transition from him to Draco Malfoy 😂
Jordan: watch all my ads got7 ad pops up Me: Ok. Whatever you say.
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